Opening the
Door to Sacred Geometry
by Len Kasten of Atlantis Rising Magazine
The Science of
the Ancients Is Finding New Applications
I had trouble with calculus in
college. The concept of mathematics describing geometric shapes just did not
resonate in my brain. Yes, I knew the formula for the circumference of a
circle, and some Pythagorean stuff about triangles, but I never realized it
could all get so complicated. Over the course of the semester, the basic
premise slowly penetrated, and I began to speculate that perhaps God is simply
a great mathematician. Maybe all He really had to do to create the universe was
to invent some formulas and everything then fell into place. Space, suns,
planets, black holes, cosmic dust, vegetation, animals, humans, non-humans—all
just tumbled out of his mind as he rapidly generated long strings of calculus
formulas. While this is, of course, a fanciful view of the act of creation,
there may be at least a germ of truth in the premise.
As we learn more and more about
the concept of sacred geometry, it begins to appear that life really is all
about numbers. The term “sacred geometry” has been bandied about for years as
though it had a very specific meaning. But, in fact, it means different things
to different people, and has really been an amorphous concept. Now that we are
able to view the universe through powerful telescopes and the minutiae of life
through equally powerful microscopes, it has become apparent that the entire
physical realm displays elegant geometric proportions. Awestruck, we are led to
the conclusion that such orderliness can only be the product of a Divine Mind.
Hence we view it as proof of creation as opposed to the disorderly and random
Darwinian evolution. And so, the word “sacred” has been appended to this
universal “geometry” to imply that it was all created by God.
Many researchers have attempted
to define the subject. But for Charles Gilchrist, on his web site, “Sacred
geometry is literally the architecture of the universe. Sacred geometry is pure
universal truth springing directly from God’s Mind. Worlds turn in sacred
geometry, and the galaxies spin because of it.” He goes on, “Studying the
natural unfolding of the geometric archetypes aligns our human consciousness to
the infinite and the eternal. In these studies and meditations we begin to see
the way of things…the true nature of the universe.”
The Golden Ratio
deep mathematical principles
underlying all forms, they took it as proof of the workings of a great mind. In
this regard, a breakthrough was the discovery of “the golden ratio.” This
ratio, usually denoted by the Greek letter Ø (phi), expresses thve relationship
between two numbers where the sum of the two is to the larger, as the larger is
to the smaller. That is, where “a” is the larger, “a+b” is to “a” as “a” is to
“b.” Solving this equation algebraically, the only solution is the irrational
number 1.618033989...
Like pi, the decimal string
goes on infinitely. Geometric forms conforming to or incorporating the golden
ratio are abundant in nature. The number of petals on flowers conforms to the
phi ratio, and it is the way the human body grows, finger to hand, hand to forearm.
The golden ratio defines human
beauty and consequently plastic surgeons use it for facial measurements. When
ap¬plied architecturally it results in buildings that are strangely appealing
to the human eye and to the spiritual imagi¬nation. To the ancient Greeks the
golden section embodied philosophy and wisdom. Thus it was appropriate to
incorporate the golden ratio in a building dedicated to a god.
When the phi proportion is used
to construct a triangular form it becomes a “golden triangle,” and a “golden
spiral” gets wider by a factor of Ø every quarter-turn it makes, which means it
gets wider by a factor of Ø (about 6.854) every full turn (see below). The
nautilus seashell exemplifies a golden spiral.
In order to clear up the
cloudiness around the term “sacred geometry,” and to better understand how it
has been, and may be used in healing, inspiration, spiritual advancement, art,
design, architecture, Feng Shui and crop circles, we decided it was necessary
to consult an expert. Very impressed by his presentation at the recent Crop
Circle Conference in Tempe, Arizona, and after experiencing a definite
energetic influx while sitting under one of his unique, spinning metallic
forms, we chose Gregory Hoag for our interview.
Hoag is an artist, scientist
and entrepreneur who has been working with form energy for over 30 years. For
the past 15 years, he has lectured on Sacred Geometry on radio, TV and at
conferences. His vision is to bring the archetypes of form to life for all to
experience and benefit. He has been involved in various spiritual practices
since the 1970s. It was in the ’70s that maverick New Age pseudo-scientist
Patrick Flanagan discovered and became a proponent of “pyramid power,” which he
promoted through books, lectures and seminars. Influenced by Flanagan’s
research, Hoag began building pyramidal forms and sleeping in them. In 1982, he
claims to have had “a very strong Kundalini experience which was catalyzed by a
large pyramid filled with crystals.” Subsequently he began to “see” energy
patterns as they turned into geometric forms. He decided to try to build those
forms out of various metals, and found that people reacted strongly to his
creations, “both aesthetically and especially in an energetic sense. They said
that they felt energy coming from the forms.” As a result, he started to
manufacture the metallic objects which he calls “Metaforms.”
In his literature he says,
“They are precisely composed, 3-dimensional sculptures that radiate an
energetic field which can positively influence your environment and help create
a sacred space.” He says further, “the entire structure of the universe is
based on the eternal laws of creation, which are mathematical and geometric in
nature. Metaforms are designed to bring these archetypal laws into tangible
experience in your life.”
In our conversation with Hoag,
we found his definition and explanation of sacred geometry to be logical and
enlightening. He says, “We are higher dimensional beings. Our souls are rooted
at the causal level. All energy springs from that world. We have chosen to come
down many levels into this dimension, this level of density…to learn and grow.”
He explains further, “The universe wants to expand through us.” Consequently,
it is necessary to “build a bridge, a conduit to the higher realms so that
energy can flow into this dimension through us…giving us the opportunity for
the highest, most rapid expansion.”
As the higher energy flows from
the source through each dimension, it wants to make each dimension like itself
to create resonance with itself. Each dimension has a language of its own that
relates to the source. In the physical realm, that language is geometry. So,
sacred geometrical forms are those that directly incarnate and express the
higher energies.
Hoag further elaborates, “There
is a language that translates universally and is the true nature of ‘above,’
which reflects in the substance of this physical reality ‘below.’” That
language is number, used by science to describe interactions in all realms of
the physical and energetic universe. When number moves from the mental and
theoretical into the physical it becomes pattern, rhythm, cycle and geometry.
Thus, we see the language of God expressed everywhere in our universe. The
Above is the archetype, the blueprint, so to speak.”
The Human Factor
While sacred geometry is
apparent in nature without human intervention, humans have the power to
consciously bring down the higher energies and deliberately impress these
energies into matter. This capability was demonstrated dramatically by Japanese
scientist Dr. Masaru Emoto in his now famous “water experiments.” He asked his
subjects to deliberately imagine flasks of water to be impregnated with love,
joy and peace. When this water was frozen, snowflakes were produced, each flake
exhibiting a spark of free-will expression through a unique geometric design.
He then asked another group of
subjects to impress water with hate, anger and other negative emotions. This
water produced no snowflakes when frozen—just blobs of ice.
Hoag says that this
demonstrates that “we can be a conduit for higher consciousness. In human
beings, our own negative emotions block the flow of higher energy.
Whereas, when things (human or
otherwise) are connected to the higher dimension, they exhibit a pattern or a
rhythm that re¬flects the order of the dimension of the source.” The fact that
humans can actively channel and therefore have the ability to absorb these
higher energies is what makes us potentially god-like.
With regard to architecture,
Hoag says, “…particular energies are attracted to particular shapes. They are
further reinforced into a coherent presence by that shape. Thus the energy is
made palpable and available to the individual by using Sacred Geometry as an
antenna to both attract resonant energies and to coalesce and reconfigure
ambient energies.” Then further, “When we create our structures so that they
reflect this pattern, there can be a resonance with, or a reflection of, the
higher. Many ancient structures were built to mimic the pattern of the higher
order, and thus people could experience that higher energy. That’s where the
term ‘sacred geometry’ comes from. The more we mimic the divine order, the more
sacred the form becomes.” Hoag claims that the Atlanteans understood this
principle very well, and utilized it extensively.
Some of this carried over to
Greece and Egypt and other ancient civilizations. We now understand that the
Great Pyramid focuses intense energy in the King’s Chamber.
Some of these architectural
principles became carefully guarded secrets in the Middle Ages, primarily by
freemasons and the Guilds, and were used in the design of Gothic cathedrals.
But Hoag says that modern civilization is spiraling downward into a place of
separation. Modern architecture is based more upon human ego factors, and
modern technology blocks the flow of higher energy.
Hoag’s view of the crop circles
is unique. He claims that higher entities are constantly working to bring the
high¬er energies down to this dimension to assist in the spiritual
transformation of the human race. In order to accomplish this, the energies
must be grounded in this three-dimensional world so that they may flow freely
from the Causal to the physical. The crop circles are evidence of the
intensification of this effort in recent times. The circles form geometric
patterns on the earth resonating with the divine energies that are being
grounded. They are attracted to that particular section of the English
countryside because the vibrations of that area are compatible with the
energies. So basically, the crop circles are simply by-products of the on-going
process of the inculcation of higher energies needed to raise the consciousness
of the planet. The beautiful designs are inspiring examples of sacred geometry,
and hint at the beauty and power of their source at the causal level.
Metaforms and Pendants
Hoag’s basic purpose is to
educate people about the deliberate, intelligent use of higher energies through
understanding sacred geometry. He believes that this process is becoming more
and more critical as we sink deeper and deeper into a chaotic energetic mire
all over the planet, and it will be necessary to become proactive just to
maintain the status quo, to say nothing of facilitating spiritual
transformation. The metaforms can be a potent aid in holding and building the
energy body. They are designed to be suspended overhead and spin slowly while
meditating or simply sitting quietly. Hoag says, “They can create awareness and
empower you in making appropriate choices. Their beauty and perfection can
bring peace to your heart and mind. This positive amplification of safe, subtle
energy can activate creativity, healing, dreaming, meditation, and
relationships.”
Popular, prolific New Age
author Carolyn Myss says, “Metaforms are extraordinary tools which enhance
health and inner awareness by working with subtle energies.”
But perhaps more potent as an
agent for energetic renewal, some feel, are Hoag’s “I.Connect” amulet and
“Heart Companion” pendant.
The result of over 25 years of
research and development, they both utilize the wisdom of sacred geometry
encoded on circuit boards transmitting energy induced by strategically placing
multidimensional energy forms around the planet. Inside are electronic
components, copper and fiber optic antenna systems, vapor depositions of
molecular geometries and alchemical mixtures of unique crystals, minerals and
rare earth transition metals.
“Toroidal flow“ is created by
the stainless steel shell. The unit is activated by light and sound
frequencies, within a special unit having counter spinning geometries and a
connection to the earth grid via 20 foot copper structures.
The Heart Connect pendant is
designed to be worn around the neck, the pendants are disks about the size of a
large wrist watch. The fiberglass acts as an insulator to “antenna systems”
consisting of metal sacred geometric designs bonded to both surfaces. The metal
patterns are made of copper bonded to the disk, and plated with nickel, silver
and gold. The outer ring is layered with 100 mils of gold, which is up to ten
times the industry standard, over sterling silver. This combination is referred
to as vermeil. Each surface is then adorned with embedded rubies, sapphires and
emeralds and other gemstones based on the particular de¬signs and the
customizations requested by the client. Each side of the pendant has a
different purpose. Hoag says, “Each face of the double-sided pendant has a
distinct energy when pointed toward the body. Choose the Star Face for an
active, external and higher mental experience. The Earth Face is more
receptive, grounding and heart centered in nature.”
Hoag makes some extraordinary
claims about the efficacy of the pendants. He says that they are “capable of
transducing and focusing energy from the highest levels of consciousness.” He
claims further, “most people feel the energy coursing through it and discover
it to be unlike any other energetic tool that they have ever experienced…
changes in the body are immediately felt… the pendant has a balancing effect on
whatever major chakra disturbance is happening in the person at that time. The
pendant energy moves on further to begin opening areas of blockage,
which…occurs simultaneously with soothing areas of stress. This is a tool of
major transformation.” Wearers become “directly linked to the energies of
creation, which may facilitate healing, balancing and higher consciousness.
This is not another ‘feel good’ tool, but a channel of life force energy for
physical and spiritual transformation. It enhances your ability to understand
and manifest your soul.”
While these claims may be
extravagant, to say the least, Hoag’s basic arguments still seem applicable to
the times. Doubtless we have strayed far from the principles of harmony and
beauty understood so well by the ancients. We have, it seems, embraced ugliness
on a major scale. If Hoag is right, all this is a symptom of our disconnection
with the divine energies and the principles of sacred geometry that brought us
into existence. Never have they seemed more meaningful and relevant.